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Here are all the paintings of GOLTZIUS, Hendrick 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 6936 |
 |
Dirck Volkertsz Coornhert sdg |
c. 1590
Engraving
Rijksmuseum, Amsterdam |
| 6938 |
 |
Hercules and Cacus dg |
1613
Oil on panel, 207 x 142,5 cm
Frans Halsmuseum, Haarlem |
| 6941 |
 |
Lot and his Daughters dh |
1616
Oil on canvas, 140 x 204 cm
Rijksmuseum, Amsterdam |
| 6939 |
 |
Mercury dg |
1611
Oil on panel, 214 x 120 cm
Frans Halsmuseum, Haarlem |
| 6940 |
 |
Minerva sg |
1611
Oil on panel, 214 x 120 cm
Frans Halsmuseum, Haarlem |
| 6937 |
 |
Portrait of Sculptor Giambologna dg |
1591
Chalk, 370 x 300 mm
Teylers Museum, Haarlem |
| 6943 |
 |
Self-Portrait dg |
1592-94
Drawing
Graphische Sammlung Albertina, Vienna |
| 6942 |
 |
The Rich Kitchen dfg |
1603
Ink, pen on paper, 20 x 33 cm
Prentenkabinet, Rijksuniversiteit, Leiden |
| 6935 |
 |
Without Ceres and Bacchus, Venus would Freeze xdg |
1599-1602
Mixed media on canvas
Philadelphia Museum of Art, Philadelphia |
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| GOLTZIUS, Hendrick
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| Dutch Baroque Era Painter and Engraver, 1558-1617
Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.
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